View of Nihonbashi Tori-itchome (Nihonbashi Tori-itchome Ryakuzu), No. 44 from One Hundred Famous Views of Edo

Utagawa Hiroshige

Brooklyn Museum photograph

Object Label

It is a hot summer day in the middle of the Main Street of Edo in the bustling Nihonbashi district, and almost everyone hides under a hat or a parasol, intent on avoiding the sun. Under a huge two-tiered parasol is a group of dancers who performed celebratory shrine dances for donations. Called Sumiyoshi dancers because of their origin as seasonal minstrels from Sumiyoshi Shrine near the city of Osaka, they had evolved by Hiroshige's time into native Edo street performers. Following them is a different sort of street minstrel, from the outcast hinin class. Such women sang songs accompanied by the samisen, a lute-like instrument, and were always escorted at a distance by a husband or a father.

Caption

Utagawa Hiroshige (Japanese, 1797–1858). View of Nihonbashi Tori-itchome (Nihonbashi Tori-itchome Ryakuzu), No. 44 from One Hundred Famous Views of Edo, 8th month of 1858. Woodblock print, 14 3/16 x 9 3/8in. (36 x 23.8cm) Sheet: 14 3/16 x 9 7/16 in. (36 x 23.9 cm) Image: 13 1/4 x 8 7/8 in. (33.7 x 22.5 cm). Brooklyn Museum, Gift of Anna Ferris, 30.1478.44. (Photo: Brooklyn Museum)

Gallery

Not on view

Collection

Asian Art

Title

View of Nihonbashi Tori-itchome (Nihonbashi Tori-itchome Ryakuzu), No. 44 from One Hundred Famous Views of Edo

Date

8th month of 1858

Period

Edo Period, Ansei Era

Geography

Place made: Japan

Medium

Woodblock print

Classification

Print

Dimensions

14 3/16 x 9 3/8in. (36 x 23.8cm) Sheet: 14 3/16 x 9 7/16 in. (36 x 23.9 cm) Image: 13 1/4 x 8 7/8 in. (33.7 x 22.5 cm)

Signatures

Hiroshige-ga

Markings

No publisher's seal visible, probably lost when left margin was trimmed.

Credit Line

Gift of Anna Ferris

Accession Number

30.1478.44

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