View of Nihonbashi Tori-itchome (Nihonbashi Tori-itchome Ryakuzu), No. 44 from One Hundred Famous Views of Edo
Utagawa Hiroshige (Ando)
It is a hot summer day in the middle of the Main Street of Edo in the bustling Nihonbashi district, and almost everyone hides under a hat or a parasol, intent on avoiding the sun. Under a huge two-tiered parasol is a group of dancers who performed celebratory shrine dances for donations. Called Sumiyoshi dancers because of their origin as seasonal minstrels from Sumiyoshi Shrine near the city of Osaka, they had evolved by Hiroshige's time into native Edo street performers. Following them is a different sort of street minstrel, from the outcast hinin class. Such women sang songs accompanied by the samisen, a lute-like instrument, and were always escorted at a distance by a husband or a father.
8th month of 1858
Edo Period, Ansei Era
14 3/16 x 9 3/8in. (36 x 23.8cm)
Sheet: 14 3/16 x 9 7/16 in. (36 x 23.9 cm)
Image: 13 1/4 x 8 7/8 in. (33.7 x 22.5 cm) (show scale)
No publisher's seal visible, probably lost when left margin was trimmed.
This item is not on view
Gift of Anna Ferris
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Utagawa Hiroshige (Ando) (Japanese, 1797-1858). View of Nihonbashi Tori-itchome (Nihonbashi Tori-itchome Ryakuzu), No. 44 from One Hundred Famous Views of Edo, 8th month of 1858. Woodblock print, 14 3/16 x 9 3/8in. (36 x 23.8cm). Brooklyn Museum, Gift of Anna Ferris, 30.1478.44 (Photo: Brooklyn Museum, 30.1478.44_PS1.jpg)
overall, 30.1478.44_PS1.jpg. Brooklyn Museum photograph, 2006
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
This scene is in the middle of the main street in Edo, on a hot summer day; most of the people are under hats or parasols to escape the sun. The older man on the right is eating a yellow Makuwa melon and beyond him to the left, a delivery boy is almost hidden by his tray load of noodle boxes from the sboa shop Tokyoan (the white noren in center). A group of Sumiyoshi dancers are under a huge two-tiered parasol. Originally, the Sumiyoshi dancers were seasonal minstrels from Sumiyoshi Shrine, near Osaka, who would perform celebratory shrine dances in return for donations. The five dancers here are wearing their costumes of straw materials, red aprons, white fans and sedge hats, topped by the blue parasol with red shashes and white "gohei." Following the dancers is a female street minstrel, the "onna-dayu," who along with others would sing to shamisen accompaniment. The onna-dayu were from the outcast "hinin" class and were always followed at a distance by a husband or father. It was suggested by Miyao Shigeo that this woman following the Sumiyoshi dancers might be their samisen accompanist. The street scene here is the cotton sellers district, occupied by merchants from the Omi region. The Sumiyoshi dancers were traditionally dressed in cotton; the onna-dayu were prohibited by class barriers from wearing silk but were known for their stylish cotton kimonos, as seen here, closely fitted and wearing high "geta" clogs. The large store to the right is Shirokaya, founded in 1662 and one of Tokyo's great modern department stores, now part of a Tokyo chain.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.