Sumiyoshi Festival, Tsukudajima, No. 55 from One Hundred Famous Views of Edo
Utagawa Hiroshige (Ando)
In the middle distance, a chanting mob of young men carries the sacred palanquin of the Sumiyoshi Shrine through the shallow flats surrounding the island of Tsukudajima. The giant banner in the foreground bears the inscription "Sumiyoshi Daimyōjin," an honorific title of the shrine deities, with the names of donors below. The smaller inscriptions to either side provide the date and the name of the calligrapher, Seikengū Gengyo. This is none other than the poet and artist Baisotei Gengyo, the designer of the Table of Contents for this series.
7th month of 1857
Edo Period, Ansei Era
Sheet: 14 1/4 x 9 5/16 in. (36.2 x 23.7 cm)
Image: 13 3/8 x 8 3/4 in. (33.9 x 22.2 cm) (show scale)
No publisher's seal visible, probably lost when left margin was trimmed. Date & censor seals in top margin.
This item is not on view
Gift of Anna Ferris
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact firstname.lastname@example.org
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Utagawa Hiroshige (Ando) (Japanese, 1797-1858). Sumiyoshi Festival, Tsukudajima, No. 55 from One Hundred Famous Views of Edo, 7th month of 1857. Woodblock print, Sheet: 14 1/4 x 9 5/16 in. (36.2 x 23.7 cm). Brooklyn Museum, Gift of Anna Ferris, 30.1478.55 (Photo: Brooklyn Museum, 30.1478.55_PS1.jpg)
overall, 30.1478.55_PS1.jpg. Brooklyn Museum photograph, 2006
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
A group of men are carrying the sacred palanquin of the Sumiyoshi Shrine though the water encircling the island of Tsukudajima, at the mouth of the Sumida River. The tiny island of Tsukudajima was claimed by a group of thirty-four whitebait fishermen in 1645-46 who brought with them the name Tsukuda and their local Sumiyoshi divinity, the protector of mariners and fishermen. The festival commemorating this move was held on the twenty-ninth day of the Sixth Month in 1646 and every third year thereafter - including the year in which this print appeared. The celebration of this festival continues today, although the practice of mizu togyo (carrying the shrine through the water), discontinued in 1963. The giant banner in the center is inscribed in archaic script "Sumiyoshi Daimyojin," and the smaller inscriptions to either side show the date and the name of the calligrapher, Seikengu Gengyo, who is the poet and artist Baisotei Gengyo who designed the Table of Contents for this series. The date on the banner is just one month earlier than the publication of the print itself. The banner still remains in the treasury of the Sumiyoshi Shrine. On the right-hand side is a section of a red festival shrine lantern.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.