Asakusa River, Great Riverbank, Miyato River, No. 60 from One Hundred Famous Views of Edo

Utagawa Hiroshige

Brooklyn Museum photograph

Object Label

The point of view here is looking north from just under Ryogoku Bridge. Hiroshige provides a characteristically indirect depiction of one of the most interesting summer customs associated with the bridge, the ablutions of the Mount Oyama pilgrims. Instead of showing the spot under the bridge where they rinsed themselves before setting out for the sacred mountain, this view features pilgrims returning from the ablution site. The bonten, or huge assemblages of ritual paper strips dominating the composition, were used by the ascetics who spread the Oyama cult. The title of the print may seem confusing, since Asakusa River, Great Riverbank, and Miyato River all refer to the same river—the Sumida.

Caption

Utagawa Hiroshige (Japanese, 1797–1858). Asakusa River, Great Riverbank, Miyato River, No. 60 from One Hundred Famous Views of Edo, 7th month of 1857. Woodblock print, Sheet: 14 5/16 x 9 5/16 in. (36.4 x 23.7 cm) Image: 13 x 8 1/2 in. (33 x 21.6 cm). Brooklyn Museum, Gift of Anna Ferris, 30.1478.60. (Photo: Brooklyn Museum)

Gallery

Not on view

Collection

Asian Art

Title

Asakusa River, Great Riverbank, Miyato River, No. 60 from One Hundred Famous Views of Edo

Date

7th month of 1857

Period

Edo Period, Ansei Era

Geography

Place made: Japan

Medium

Woodblock print

Classification

Print

Dimensions

Sheet: 14 5/16 x 9 5/16 in. (36.4 x 23.7 cm) Image: 13 x 8 1/2 in. (33 x 21.6 cm)

Signatures

Hiroshige-ga

Markings

No publihser's seal visible, probably lost when left margin was trimmed. Date seal and censor seal in top margin.

Credit Line

Gift of Anna Ferris

Accession Number

30.1478.60

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