Ayase River and Kanegafuchi, No. 63 from One Hundred Famous Views of Edo
Utagawa Hiroshige (Ando)
Here we reach the farthest point north in the progression along the Sumida River that began in number 55. The view is from the west bank, looking across to the northeast at the point where the Ayase River flows into the Sumida. This isolated site, called Kanegafuchi, was known for the planting of silk trees, a kind of mimosa, along the bank. Hiroshige has framed the view with one of the trees in full bloom. The silk like filaments that give the tree its name are expressed in light pink lines accented with black. Beyond is a boatman whose bold garment echoes the pattern of the blossoms.
7th month of 1857
Edo Period, Ansei Era
Sheet: 14 1/4 x 9 5/16 in. (36.2 x 23.7 cm)
Image: 13 3/8 x 8 3/4 in. (33.9 x 22.2 cm) (show scale)
Publisher: Shitaya Uo Ei
This item is not on view
Gift of Anna Ferris
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact email@example.com
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Utagawa Hiroshige (Ando) (Japanese, 1797-1858). Ayase River and Kanegafuchi, No. 63 from One Hundred Famous Views of Edo, 7th month of 1857. Woodblock print, Sheet: 14 1/4 x 9 5/16 in. (36.2 x 23.7 cm). Brooklyn Museum, Gift of Anna Ferris, 30.1478.63 (Photo: Brooklyn Museum, 30.1478.63_PS1.jpg)
overall, 30.1478.63_PS1.jpg. Brooklyn Museum photograph, 2005
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
This view looks at the point where the Ayase River flows into the Sumida; due to its curve and convergence with the Ayase, the water here was deeper and the flow more rapid than elsewhere on the Sumida. The story is told of a temple bell which fell into the river during a flood, sinking to the bottom and giving the name Kanegafuchi, "bell depths" for the stretch of the river. This location was also known for its silk trees, a kind of mimosa, growing along the bank. This scene shows one of the trees in full bloom with its silk like pink flowers accented in black. The boatman below is dressed in a bold patterned garment and a heron flies above the reeds. In 1887 the Kanegafuchi Spinning Company was constructed on the south bank of the Ayase River (the area to the far right), a joint venture of five Tokyo cotton-thread dealers, known as "kanebo." In time it became Japan's largest cotton-spinning firm and has since diversified into cosmetics.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.