The City Flourishing, Tanabata Festival, No. 73 from One Hundred Famous Views of Edo
Utagawa Hiroshige (Ando)
The Tanabata Festival, celebrated annually on the seventh day of the Seventh Month, derived from an ancient Chinese legend about the Celestial Weaving Girl (the star Vega) who crosses the Milky Way once a year to meet her beloved Cowherd (Altair). By the late Edo period, the Festival had developed into a huge outdoor display of inscribed, multicolored sheets of paper and auspicious paper symbols attached to long green bamboo poles. Although this is the only print in the series that does not specify a place in the title, it represents the view from a very specific, very personal place: Hiroshige's own house.
7th month of 1857
Edo Period, Ansei Era
Sheet: 14 3/16 x 9 1/4 in. (36 x 23.5 cm)
Image: 13 3/8 x 8 3/4 in. (34 x 22.2 cm) (show scale)
Publisher: Shitaya Uo Ei
This item is not on view
Gift of Anna Ferris
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Utagawa Hiroshige (Ando) (Japanese, 1797-1858). The City Flourishing, Tanabata Festival, No. 73 from One Hundred Famous Views of Edo, 7th month of 1857. Woodblock print, Sheet: 14 3/16 x 9 1/4 in. (36 x 23.5 cm). Brooklyn Museum, Gift of Anna Ferris, 30.1478.73 (Photo: Brooklyn Museum, 30.1478.73_PS1.jpg)
overall, 30.1478.73_PS1.jpg. Brooklyn Museum photograph, 2006
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
The name of the Tanabata festival, short for Tanabatatsume, "weaving girl," was derived from an ancient Chinese legend about a Celestial Weaving Girl (the star Vega) who on the seventh day of the seventh month could cross the Milky Way to meet her lover. The day was first marked by Japanese aristocracy in the Nara period and in Edo the shogunate celebrated Tanabata as one the auspicious Five Festivals. In rural areas, the festival included prayers for a bounteous crop, and in urban areas, prayers for skill in calligraphy. Thus came about the practice of writing poems on slips of paper that were hung on bamboo branches as offerings to the two star-lovers. As seen, long green bamboo poles were tied to rooftop ladders and from these poles were hung slips of paper of many colors inscribed with poems. At the top is a cutout of a fishnet, an emblem of bounty, and next to it a sake cup and gourd flask (it is known that Hiroshige loved sake). Below, to the left, are merchant items: an abacus, an accounts ledger, and a money chest marked "one thousand gold ryo," and to the right are a string of ground-cherry fruits, a slice of watermelon, and a fish. An entry in the "Buko Nenpyo" notes that the bamboo poles were particularly numerous in 1873, the year that the official festival was abolished, to be replaced by the Western calendar and by the new imperial celebrations.
This print is the first of the "Autumn" section of the series, and the snowless crest of Fuji suggests that it was quite warm. It is the only print in the entire series that does not indicate a specific place in the title, (the "shichu" in the title is "throughout the city"). However, this print is in fact a view from Hiroshige's own house in Nakabashi Kano Shinmichi, just east of the main Tokaido avenue; the place today is marked by a plaque. In the distance to the right is the fire tower marking the Yayosu barracks of the shogunal firefighters, where Hiroshige was born, raised, and lived until he was forty-three. The warehouses below belong to the merchants of Minami Denma-cho, just west of Hiroshige's house.
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