Inari Bridge and Minato Shrine, Teppozu, No. 77 from One Hundred Famous Views of Edo

Brooklyn Museum photograph
Object Label
This particular place near Minato Shrine (half-hidden behind the red fence) was a critical junction in the waterways of Edo. It marked the point where large ships from western Japan were anchored and their cargoes transferred into small lighters, or flat-bottomed barges, for distribution to the many storehouses that lined the city's canals. Hiroshige detailed the masts of two cargo ships in the foreground to frame the background view of lighters heading into the canal beyond Imari Bridge. This system, dictated by the shallow waters of Edo Bay, meant that there were none of the piers that are commonly used in Western cities for unloading large ships.
Caption
Utagawa Hiroshige (Japanese, 1797–1858). Inari Bridge and Minato Shrine, Teppozu, No. 77 from One Hundred Famous Views of Edo, 2nd month of 1857. Woodblock print, Sheet: 14 3/16 x 9 1/4 in. (36 x 23.5 cm) Image: 13 3/8 x 8 3/4 in. (34 x 22.2 cm). Brooklyn Museum, Gift of Anna Ferris, 30.1478.77. (Photo: Brooklyn Museum)
Gallery
Not on view
Collection
Gallery
Not on view
Collection
Artist
Title
Inari Bridge and Minato Shrine, Teppozu, No. 77 from One Hundred Famous Views of Edo
Date
2nd month of 1857
Period
Edo Period, Ansei Era
Geography
Place made: Japan
Medium
Woodblock print
Classification
Dimensions
Sheet: 14 3/16 x 9 1/4 in. (36 x 23.5 cm) Image: 13 3/8 x 8 3/4 in. (34 x 22.2 cm)
Signatures
Hiroshige-ga
Markings
Publisher: Shitaya Uo Ei
Credit Line
Gift of Anna Ferris
Accession Number
30.1478.77
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