Inari Bridge and Minato Shrine, Teppozu, No. 77 from One Hundred Famous Views of Edo
Utagawa Hiroshige (Ando)
This particular place near Minato Shrine (half-hidden behind the red fence) was a critical junction in the waterways of Edo. It marked the point where large ships from western Japan were anchored and their cargoes transferred into small lighters, or flat-bottomed barges, for distribution to the many storehouses that lined the city's canals. Hiroshige detailed the masts of two cargo ships in the foreground to frame the background view of lighters heading into the canal beyond Imari Bridge. This system, dictated by the shallow waters of Edo Bay, meant that there were none of the piers that are commonly used in Western cities for unloading large ships.
2nd month of 1857
Edo Period, Ansei Era
Sheet: 14 3/16 x 9 1/4 in. (36 x 23.5 cm)
Image: 13 3/8 x 8 3/4 in. (34 x 22.2 cm) (show scale)
Publisher: Shitaya Uo Ei
This item is not on view
Gift of Anna Ferris
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Utagawa Hiroshige (Ando) (Japanese, 1797-1858). Inari Bridge and Minato Shrine, Teppozu, No. 77 from One Hundred Famous Views of Edo, 2nd month of 1857. Woodblock print, Sheet: 14 3/16 x 9 1/4 in. (36 x 23.5 cm). Brooklyn Museum, Gift of Anna Ferris, 30.1478.77 (Photo: Brooklyn Museum, 30.1478.77_PS1.jpg)
overall, 30.1478.77_PS1.jpg. Brooklyn Museum photograph, 2006
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
This particular place, where the Kyobashi River entered Hatchobori (Eight-Cho Canal) was where the large ships from western Japan were anchored and their cargoes were transformed into small lighters for distribution to the quays and storehouses that lined the canals. In the foreground are the masts of two cargo ships and in the background are the lighters heading into the warehouse-lined canal. The Minato (Harbor) Inari Shrine lies half-hidden at the left behind a red fence and was one of the oldest shrines in Edo. It survives today as well as Inari Bridge. Blue "bokashi" covers much of the sky and there is overprinting on the foreground masts. In the center there is a narrow strip of blue "bokashi" on the water.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.