Inari Bridge and Minato Shrine, Teppozu, No. 77 from One Hundred Famous Views of Edo

Utagawa Hiroshige

Brooklyn Museum photograph

Object Label

This particular place near Minato Shrine (half-hidden behind the red fence) was a critical junction in the waterways of Edo. It marked the point where large ships from western Japan were anchored and their cargoes transferred into small lighters, or flat-bottomed barges, for distribution to the many storehouses that lined the city's canals. Hiroshige detailed the masts of two cargo ships in the foreground to frame the background view of lighters heading into the canal beyond Imari Bridge. This system, dictated by the shallow waters of Edo Bay, meant that there were none of the piers that are commonly used in Western cities for unloading large ships.

Caption

Utagawa Hiroshige (Japanese, 1797–1858). Inari Bridge and Minato Shrine, Teppozu, No. 77 from One Hundred Famous Views of Edo, 2nd month of 1857. Woodblock print, Sheet: 14 3/16 x 9 1/4 in. (36 x 23.5 cm) Image: 13 3/8 x 8 3/4 in. (34 x 22.2 cm). Brooklyn Museum, Gift of Anna Ferris, 30.1478.77. (Photo: Brooklyn Museum)

Gallery

Not on view

Collection

Asian Art

Title

Inari Bridge and Minato Shrine, Teppozu, No. 77 from One Hundred Famous Views of Edo

Date

2nd month of 1857

Period

Edo Period, Ansei Era

Geography

Place made: Japan

Medium

Woodblock print

Classification

Print

Dimensions

Sheet: 14 3/16 x 9 1/4 in. (36 x 23.5 cm) Image: 13 3/8 x 8 3/4 in. (34 x 22.2 cm)

Signatures

Hiroshige-ga

Markings

Publisher: Shitaya Uo Ei

Credit Line

Gift of Anna Ferris

Accession Number

30.1478.77

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