The Confidence Man
Guy Pène du Bois
On View: American Art Galleries, 5th Floor, Beyond Borders and Boundaries, 20th and 21st Centuries
The bold, open pose of the woman in Evening indicates that she is actively encouraging her partner’s attention. In contrast, the confidence man, or con man, in the adjacent painting stands aggressively near his female companion. His almost threatening stance and her downcast face suggest that he is not to be trusted.
Despite the physical closeness of these two sets of figures, their faces are inscrutable and the nature of their interactions remains ambiguous. Guy Pène du Bois frequently painted stiff figures with masklike faces, suggesting social alienation beneath the glitter and gloss of the party scene.
Oil on plywood panel
20 x 15 in. (50.8 x 38.1 cm)
Frame: 28 x 22 1/2 x 2 in. (71.1 x 57.2 x 5.1 cm) (show scale)
signed lower right: "Guy Pene duBois / 19"
verso inscriptions, in pencil: "$500.00"; "The Confidence Man / by Guy Pene ..."; in crayon: "Bx - 49 - 1"
Gummed label: "28151"
Gummed label: "From the / Chester Dall Collection / 20 East 79th Street. / New York, N.Y."
Gift of Chester Dale
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Guy Pène du Bois (American, 1884-1958). The Confidence Man, 1919. Oil on plywood panel, 20 x 15 in. (50.8 x 38.1 cm). Brooklyn Museum, Gift of Chester Dale, 63.148.3 (Photo: Brooklyn Museum, 63.148.3_SL1.jpg)
overall, 63.148.3_SL1.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.