Inca. Tunic, 1400–1532. Textile. Camelid fiber, 33 7/8 x 29 1/8 in. (86 x 74 cm). Brooklyn Museum, Gift of the Ernest Erickson Foundation, Inc., 86.224.133. Creative Commons-BY (Photo: , 86.224.133_PS9.jpg)
Inca. Tunic, 1400–1532. Textile. Camelid fiber, 33 7/8 x 29 1/8 in. (86 x 74 cm). Brooklyn Museum, Gift of the Ernest Erickson Foundation, Inc., 86.224.133. Creative Commons-BY (Photo: Brooklyn Museum, 86.224.133.jpg)
Inca. Tunic, 1400–1532. Textile. Camelid fiber, 33 7/8 x 29 1/8 in. (86 x 74 cm). Brooklyn Museum, Gift of the Ernest Erickson Foundation, Inc., 86.224.133. Creative Commons-BY (Photo: Brooklyn Museum, CUR.86.224.133.jpg)
Tunic
Arts of the Americas
The design on this tunic is referred to as the “Inca key checkerboard” pattern, and it is one of five standardized tunic styles produced by specialized Inca weavers. In order to guarantee a supply of fine textiles, the Inca incorporated camelid herding and textile production into a state policy, setting up weaving workshops and collecting labor taxes (mit’a) in the form of woven garments and other requisite products.
The detailed embroidery on each side of this tunic and the zigzag across the hem were probably added after the garment was woven, to elevate the tunic, and the person wearing it, to a higher status.
___________
El diseño presente en esta túnica se conoce como “tablero de ajedrez con motivo de llave inca,” y es uno de los cinco estilos de túnicas estandarizados, producido por tejedores incas especializados. Para garantizar un suministro de textiles de alta calidad, los incas convirtieron el pastoreo de camélidos en política de estado, establecieron talleres y dispusieron impuestos sobre el trabajo (mit’a), bajo la forma de prendas de vestir tejidas y otros productos requeridos.
El minucioso bordado a cada lado de esta túnica y el zigzag a través del dobladillo fueron probablemente añadidos luego de haber tejido la prenda, para elevar la túnica y la persona que la lleva, a un estatus más elevado.
The detailed embroidery on each side of this tunic and the zigzag across the hem were probably added after the garment was woven, to elevate the tunic, and the person wearing it, to a higher status.
___________
El diseño presente en esta túnica se conoce como “tablero de ajedrez con motivo de llave inca,” y es uno de los cinco estilos de túnicas estandarizados, producido por tejedores incas especializados. Para garantizar un suministro de textiles de alta calidad, los incas convirtieron el pastoreo de camélidos en política de estado, establecieron talleres y dispusieron impuestos sobre el trabajo (mit’a), bajo la forma de prendas de vestir tejidas y otros productos requeridos.
El minucioso bordado a cada lado de esta túnica y el zigzag a través del dobladillo fueron probablemente añadidos luego de haber tejido la prenda, para elevar la túnica y la persona que la lleva, a un estatus más elevado.
CULTURE
Inca
MEDIUM
Textile. Camelid fiber
DATES
1400–1532
DIMENSIONS
33 7/8 x 29 1/8 in. (86 x 74 cm) (show scale)
COLLECTIONS
Arts of the Americas
ACCESSION NUMBER
86.224.133
CREDIT LINE
Gift of the Ernest Erickson Foundation, Inc.
MUSEUM LOCATION
This item is not on view
CAPTION
Inca. Tunic, 1400–1532. Textile. Camelid fiber, 33 7/8 x 29 1/8 in. (86 x 74 cm). Brooklyn Museum, Gift of the Ernest Erickson Foundation, Inc., 86.224.133. Creative Commons-BY (Photo: , 86.224.133_PS9.jpg)
IMAGE
overall, 86.224.133_PS9.jpg., 2018
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT
Creative Commons-BY
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply).
For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch.
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright.
If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.
RECORD COMPLETENESS
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome any additional information you might have.
