Bowl with Birds
Arts of the Islamic World
Within one hundred fifty years of the cAbbasid Dynasty's conquest of Iran, semiautonomous dynasties had consolidated their power on the fringes of the empire. One such dynasty, the Samanids, gained ascendancy in Uzbekistan and Turkestan in the ninth century, spreading their influence to Khurasan in the tenth century. Excavations at Nishapur in Khurasan and Afrasiyab near Samarkand in Uzbekistan have unearthed a range of highly distinctive ceramics.
Ceramic; earthenware, painted in black slip and green and yellow pigments under a transparent glaze
This item is not on view
Gift of the Ernest Erickson Foundation, Inc.
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Bowl with Birds, 10th century. Ceramic; earthenware, painted in black slip and green and yellow pigments under a transparent glaze, 3 1/4 x 8 1/2in. (8.3 x 21.6cm). Brooklyn Museum, Gift of the Ernest Erickson Foundation, Inc., 86.227.3. Creative Commons-BY (Photo: Brooklyn Museum, 86.227.3_top_PS2.jpg)
top, 86.227.3_top_PS2.jpg. Brooklyn Museum photograph, 2009
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.