Stalling Elephant
1 of 2
Object Label
Close examination of this painting reveals that the body of the elephant, its saddle blanket, and the costumes of the two mahouts are rendered in marbleized patterns, a decorative effect that is achieved by swirling oil-based paints on the surface of water and then lowering paper carefully onto the paint. The artist would have had to repeat this process at least four times to achieve the different colors and patterns in this painting, using stencils or some sort of resist coating to keep the paint in the desired areas. This highly specialized technique was practiced briefly in only one or two courts in the southern Indian region known as the Deccan and appears to have fallen out of use after the seventeenth century.
Caption
Indian. Stalling Elephant, mid 17th century. Ink, gold and watercolor on paper, Sheet: 6 1/2 x 4 7/8 in. (16.5 x 12.4 cm). Brooklyn Museum, Gift of Dr. Bertram H. Schaffner in celebration of his 90th Birthday, 2002.38. (Photo: Brooklyn Museum)
Gallery
Not on view
Collection
Gallery
Not on view
Collection
Culture
Title
Stalling Elephant
Date
mid 17th century
Geography
Place made: Deccan, India
Medium
Ink, gold and watercolor on paper
Classification
Dimensions
Sheet: 6 1/2 x 4 7/8 in. (16.5 x 12.4 cm)
Inscriptions
seal at left margin previously thought illegible, date "A.H. 1105" (A.D. 1693-94) and regnal year "2" later deciphered (per "Journey Through Asia" catalogue, 2003)
Credit Line
Gift of Dr. Bertram H. Schaffner in celebration of his 90th Birthday
Accession Number
2002.38
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