Jesus Sits by the Seashore and Preaches (Jésus s'assied au bord de la mer et prêche)

Brooklyn Museum photograph
Object Label
Such direct correlations between the sketched motif and the Gospel narrative evoke Tissot’s claim for what he termed hyperaesthesia—a combination of direct observation of his surroundings and mystical revelation. In the introduction to his Bible, he claimed: “It is in the Holy Land itself … that the mind is best attuned alike to receive and grasp the significance of every impression…. I felt that a certain receptivity was induced in my mind which so intensified my powers of intuition, that the scenes of the past rose up before my mental vision in a peculiar and striking manner…. I meditated on any special incident in its own particular sanctuary, and was thus brought into touch with the actual setting of every scene, the facts I was anxious to evoke were revealed to me.…”
Caption
James Tissot (Nantes, France, 1836–1902, Chenecey–Buillon, France). Jesus Sits by the Seashore and Preaches (Jésus s'assied au bord de la mer et prêche), 1886–1896. Opaque watercolor over graphite on gray wove paper, Sheet: 10 3/16 x 7 9/16 in. (25.9 x 19.2 cm) Image: 10 3/16 x 7 9/16 in. (25.9 x 19.2 cm) Frame: 20 x 15 x 1 1/2 in. (50.8 x 38.1 x 3.8 cm). Brooklyn Museum, Purchased by public subscription, 00.159.109. (Photo: Brooklyn Museum)
Gallery
Not on view
Gallery
Not on view
Artist
Title
Jesus Sits by the Seashore and Preaches (Jésus s'assied au bord de la mer et prêche)
Date
1886–1896
Geography
Place made: France
Medium
Opaque watercolor over graphite on gray wove paper
Classification
Dimensions
Sheet: 10 3/16 x 7 9/16 in. (25.9 x 19.2 cm) Image: 10 3/16 x 7 9/16 in. (25.9 x 19.2 cm) Frame: 20 x 15 x 1 1/2 in. (50.8 x 38.1 x 3.8 cm)
Signatures
Signed bottom right: "J.J. Tissot"
Credit Line
Purchased by public subscription
Accession Number
00.159.109
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