Pennsylvania Station Excavation
George Wesley Bellows
American Art
Between 1907 and 1909, George Wesley Bellows completed a series of four canvases devoted to the excavation of Pennsylvania Station in midtown Manhattan. In this version, laborers are dwarfed by the gaping pit they have created as they tear down the old New York in order to build it anew. The dark palette and vigorous brushwork, coupled with the chill winter atmosphere and billowing plumes of steam and smoke, lend additional drama to the scene. The painting has an infernal quality, suggesting the artist’s ambivalence about the rapid transformation of New York in the early twentieth century. The grand railroad terminal that would rise from this excavation was eventually demolished in 1963.
MEDIUM
Oil on canvas
DATES
ca. 1907–1908
DIMENSIONS
31 3/16 x 38 1/4 in. (79.2 x 97.1 cm)
frame: 36 1/4 x 43 3/4 x 3 in. (92 x 111.1 x 7.6 cm)
(show scale)
SIGNATURE
Unsigned
ACCESSION NUMBER
67.205.1
CREDIT LINE
A. Augustus Healy Fund
PROVENANCE
1909, acquired from the artist by Edward R. Keefe of New London, CT; between 1909 and 1967, provenance not yet documented; by December 1967, acquired by Hirschl & Adler Galleries, New York; December 13, 1967, purchased from Hirschl & Adler by the Brooklyn Museum.
Provenance FAQ
CATALOGUE DESCRIPTION
Painting of pit for foundation of Penn Station.
MUSEUM LOCATION
This item is not on view
CAPTION
George Wesley Bellows (American, 1882–1925). Pennsylvania Station Excavation, ca. 1907–1908. Oil on canvas, 31 3/16 x 38 1/4 in. (79.2 x 97.1 cm). Brooklyn Museum, A. Augustus Healy Fund, 67.205.1 (Photo: Brooklyn Museum, 67.205.1_SL1.jpg)
IMAGE
overall, 67.205.1_SL1.jpg. Brooklyn Museum photograph
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RIGHTS STATEMENT
No known copyright restrictions
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Can you tell me more about this artist?
George Bellows was born in Ohio and spent his artistic career in New York. He was important member of the Ashcan School, a group of artists who worked in a realist style and took urban life as their central subject matter.
Bellows became famous for his depictions of boxing matches and scenes of New York tenement life. His art touched upon much of the complex social, political, and cultural issues of his time (early 1900s). His painting style was also intentionally rough and expressive which you can definitely see here in this work.