Rembrandt Peale (American, 1778-1860). The Sisters (Eleanor and Rosalba Peale), 1826. Oil on canvas, 42 1/8 x 32 11/16 in. (107 x 83 cm). Brooklyn Museum, A. Augustus Healy Fund, 67.205.3 (Photo: Brooklyn Museum, 67.205.3_SL1.jpg)
Rembrandt Peale (American, 1778-1860). The Sisters (Eleanor and Rosalba Peale), 1826. Oil on canvas, 42 1/8 x 32 11/16 in. (107 x 83 cm). Brooklyn Museum, A. Augustus Healy Fund, 67.205.3 (Photo: Brooklyn Museum, CUR.67.205.3.jpg)
Rembrandt Peale (American, 1778-1860). The Sisters (Eleanor and Rosalba Peale), 1826. Oil on canvas, 42 1/8 x 32 11/16 in. (107 x 83 cm). Brooklyn Museum, A. Augustus Healy Fund, 67.205.3 (Photo: Brooklyn Museum, CONS.67.205.3_2001_xrs.jpg)
The Sisters (Eleanor and Rosalba Peale)
Rembrandt Peale
American Art
On View: American Art Galleries, 5th Floor, Visions and Myths of a Nation, 1800–1890
In this glowing image of two of his nine children, Rembrandt Peale paid equal tribute to their sisterly love and to their own embrace of artistic pursuits. Pressed against each other, with arms delicately linked, Rosalba Peale and Eleanor Peale Jacobs sit before a tapestry-covered table on which a palette and volume of music rest. The talented Rosalba, a constant aid in her father’s work, holds a drawing tool in her hand.
MEDIUM
Oil on canvas
DATES
1826
DIMENSIONS
42 1/8 x 32 11/16 in. (107 x 83 cm)
frame: 54 5/8 x 45 3/16 x 5 in. (138.7 x 114.8 x 12.7 cm) (show scale)
INSCRIPTIONS
Inscribed verso: "Rosalba Peale and her sister Eleanor Jacobs, painted by Rembrandt Peale, N. York, 1826. The property of their mother Eleanor Peale."
COLLECTIONS
American Art
MUSEUM LOCATION
This item is on view in American Art Galleries, 5th Floor, Visions and Myths of a Nation, 1800–1890
EXHIBITIONS
ACCESSION NUMBER
67.205.3
CREDIT LINE
A. Augustus Healy Fund
RIGHTS STATEMENT
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply).
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch.
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright.
If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.
CAPTION
Rembrandt Peale (American, 1778-1860). The Sisters (Eleanor and Rosalba Peale), 1826. Oil on canvas, 42 1/8 x 32 11/16 in. (107 x 83 cm). Brooklyn Museum, A. Augustus Healy Fund, 67.205.3 (Photo: Brooklyn Museum, 67.205.3_SL1.jpg)
IMAGE
overall, 67.205.3_SL1.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RECORD COMPLETENESS
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome any additional information you might have.
