Skip Navigation

From the Mill

Alexander Robertson

American Art

In this drawing Alexander Robertson used a stylized graphic shorthand developed by his brother Archibald, who authored the first drawing manual published in the United States, Elements of the Graphic Arts (1802). The artist rendered leaves with looping strokes of his pen, created shading with parallel diagonal lines, and used lighter outlines for background motifs to indicate spatial distance. While the presence of a mill on the Hudson River suggests the beginning of industrial development, the drawing presents a harmonious vision of man in nature, with its tiny figure of a fisherman tucked among the rocks at the left.
MEDIUM Black ink on off-white, moderately thick, moderately textured laid paper
DATES September 11, 1796
DIMENSIONS Sheet: 8 3/4 x 11 1/2 in. (22.2 x 29.2 cm)  (show scale)
SIGNATURE Unsigned
INSCRIPTIONS Inscribed at lower right in ink: "11. Sept. 1796" Inscribed in different hand at lower right corner in graphite: "3500"
COLLECTIONS American Art
ACCESSION NUMBER 1990.216.2
CREDIT LINE Purchased with funds given by Mr. and Mrs. Leonard L. Milberg
CATALOGUE DESCRIPTION Sheet torn from sketchbook bound at left edge
MUSEUM LOCATION This item is not on view
CAPTION Alexander Robertson (American, born Scotland, 1772–1841). From the Mill, September 11, 1796. Black ink on off-white, moderately thick, moderately textured laid paper, Sheet: 8 3/4 x 11 1/2 in. (22.2 x 29.2 cm). Brooklyn Museum, Purchased with funds given by Mr. and Mrs. Leonard L. Milberg, 1990.216.2 (Photo: Brooklyn Museum, 1990.216.2_IMLS_PS3.jpg)
IMAGE overall, 1990.216.2_IMLS_PS3.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement. You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act. The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals. For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.
RECORD COMPLETENESS
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome any additional information you might have.