"Skyscraper" Hand Mirror, Apollo Studios Line
On View: American Art Galleries, 5th Floor, The City and the Rise of the Modern Woman, 1900–1945
Silver-plated metal, glass, gilding, enamel
On the right edge of the handle is: "REG.U.S.PAT.OFF." [rampant lion] SKY / SCRAPER"
On the left side of handle is: "APOLLO STUDIOS / NEW YORK / E.P.N.S. / PAT. D76047"
Modernism Benefit Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact email@example.com
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Louis W. Rice (American, 1872-1933). "Skyscraper" Hand Mirror, Apollo Studios Line, ca. 1928. Silver-plated metal, glass, gilding, enamel, 15 x 5 in. (38.1 x 12.7 cm). Brooklyn Museum, Modernism Benefit Fund, 87.176.2. Creative Commons-BY (Photo: Brooklyn Museum, 87.176.1_87.176.2_SL3.jpg)
group, 87.176.1_87.176.2_SL3.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
"Skyscraper" hand mirror, silver-plated base metal with parcel gilt and black enameled areas; en suite with brush (87.176.1) and dressing tray (87.179). The handle of the mirror is an elongated triangle that tapers toward the neck. The base of the mirror handle flares out. The handle is divided into a geometric composition, which is devised with deeply incised lines that are enhanced with gilding and black enamel. At the neck of the handle are two inverted triangles embellished with gilding. At base of handle is a black enameled triangle. The reverse side of handle follows the same composition. Soldered to the back of the mirror is a sheet of silver-plated base metal, which is divided into eight geometric panels--the divided areas are separated by incised lines. Central in the composition is a gilt triangular form. The triangle intercepts a silver trapezoid division (center). Flanking either side of the rectangle are elongated triangles that are inverted and are silver-plated. The triangular divisions are stepped lower than the center division--which is the highest point in the composition. Framing either side of the triangles are irregular triangular divisions, in silver plate. The farthest projections are right triangles, which are gilt. The mirror glass is oval-shaped and is framed with a silver-plated metal tubular strip. The mirror is beveled glass, which is shaped in an irregular octagonal form, with canted edges.
CONDITION: Very good; some gilt areas worn around the handle due to normal wear on greatest areas of contact.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.