"Pedestal" Armchair and Seat Cushion
On View: Luce Visible Storage and Study Center, 5th Floor
Taking full advantage of pliable fiberglass, the Pedestal armchair’s flowing lines create a unified design statement that has led to its being nicknamed the “Tulip” chair. It is the culmination of Saarinen’s experiments with molded shell forms, begun in 1940 in a collaboration with Charles Eames. The chair the two designed that year for The Museum of Modern Art’s Organic Design in Home Furnishings exhibition won an award and set the stage for innovative mid-century furniture design.
Plastic reinforced with fiberglass, wool
Designed 1956; Manufactured ca. 1970
32 x 25 1/2 x 23 in. (81.3 x 64.8 x 58.4 cm) (show scale)
Printed rectangular paper label afixed to seat interior, below cushion: Knoll International / 320 PARK Avenue / New york, NY 10022 (logo, capital "K" in a red circle).
Gift of Knoll International, Inc.
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact firstname.lastname@example.org
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Eero Saarinen (American, born Finland, 1910-1961). "Pedestal" Armchair and Seat Cushion, Designed 1956; Manufactured ca. 1970. Plastic reinforced with fiberglass, wool, 32 x 25 1/2 x 23 in. (81.3 x 64.8 x 58.4 cm). Brooklyn Museum, Gift of Knoll International, Inc., 78.128.7. Creative Commons-BY (Photo: Brooklyn Museum, 78.128.7_view2_IMLS_SL2.jpg)
overall, 78.128.7_view2_IMLS_SL2.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
White plastic reinforced with fiberglass molded into a tulip-shaped armchair with pedestal; seat cushion of latex foam rubber covered in red wool. Slightly curved seat bottom rises to arm rests and (higher) seat back; top of back is slightly scooped then slopes down to arm rests. Edges rolled over, extended further at sides to form arm rests. The seat is supported by a tapered, attenuated cylinder that continues into a wide flat circular base. Seat and base are two separately molded pieces attached with six bolts. The C-shaped, detachable seat cushion is attached beneath by two velcro strips.
CONDITION: Very good. Nick to proper right edge of arm and to proper left edge of seat. See condition report in object file.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.