Girl on a Chair
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Object Label
George Segal was an innovator in sculpture known for his installations of white plaster figures with ghostly appearances. He depicted the dignity in everyday life, showing people poised at a bus stop, paused before a traffic intersection, or conversing on a park bench. Segal's work also took on political themes such as the Holocaust and gay pride. At the time this sculpture was created, the artist discussed its art historical references: "The chair is like a ladder with steps, the box is like a house, the girl is like a Greek caryatid holding up the roof . . . I've always liked the hardness and softness combined, this wedding of organic and geometric."
Caption
George Segal (American, 1924–2000). Girl on a Chair, 1970. Plaster, wood and paints, 36 x 24 x 11 3/4 in. (91.4 x 61.0 x 29.8 cm). Brooklyn Museum, Gift of Frederick E. Sherman, 78.213. (Photo: Brooklyn Museum)
Gallery
Not on view
Collection
Gallery
Not on view
Collection
Artist
Title
Girl on a Chair
Date
1970
Medium
Plaster, wood and paints
Classification
Dimensions
36 x 24 x 11 3/4 in. (91.4 x 61.0 x 29.8 cm)
Signatures
Unsigned
Credit Line
Gift of Frederick E. Sherman
Accession Number
78.213
Frequent Art Questions
I have a question about this because I didn't fully understand the artist's quote in the description that explained the art historical reference. It says: "the chair is like a ladder with steps, the box is like a house , the girl is like a Greek caryatid holding up the roof..."
That is a somewhat mysterious quote! The forms of the chair's back do resemble a ladder, that's true. A "caryatid" is an architectural column shaped like a human figure. They were used in classical Greek temples, for example.However, ancient Greek architecture is always centralized and harmoniously proportioned, but this work is very "modern" in being so awkwardly placed. Everything is off-center, and I'm guessing that was likely the artist's intention -- to make us feel a little uneasy.
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