The inventor and designer George Hunzinger secured twenty-one furniture patents between 1860 and 1898, more than any other American manufacturer, for a wide array of folding chairs, tables, chaises, and novel structural innovations. He was both a prescient genius of abstract, spare design and a man of his times: the Japanese tatami matting on one of these chairs illustrates the contemporary taste for exoticism, while the Neoclassically inspired, symmetrical back splats on the other acknowledge the taste for historicism.
Wood and textile covered steel webbing
Patented March 30, 1869 and April 18, 1876
32 x 17 1/2 x 19 1/2 in. (81.3 x 44.5 x 49.5 cm) (show scale)
Outer proper left back leg, impressed: "PAT. APRIL 18 1876/N.Y./PAT.MARCH 30/1869/HUNZINGER"
This item is not on view
Gift of Ronald S. Kane
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
George Jacob Hunzinger (American, born Germany, 1835-1898). Side Chair, Patented March 30, 1869 and April 18, 1876. Wood and textile covered steel webbing, 32 x 17 1/2 x 19 1/2 in. (81.3 x 44.5 x 49.5 cm). Brooklyn Museum, Gift of Ronald S. Kane, 2005.64. Creative Commons-BY (Photo: Brooklyn Museum, CUR.2005.64.jpg)
. Brooklyn Museum photograph, 2010
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Dark brown stained side chair of turned parts with textile-covered steel mesh seat. Composed of rectangular back of two mirror-image J-shaped elements between two horizontal slats attached to stiles that gently curve backward at crest. Raised atop gently curving rectangular back legs that taper towards base. Diagonal side braces, attached to top of crest rail, back of side seat rails, and terminate with small sphere at join with horizontal half-stretcher that connects to midpoint of front legs. Stretcher at midpoint of front legs and upper back legs. Seat is woven into open-work square pattern wrapped around brads to inside of seat rails.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.