Armchair (Louis XVI Revival style)
On View: Luce Visible Storage and Study Center, 5th Floor
Ebonized blue beech, gilt bronze, original Aubusson tapestry upholstery (wool, linen warp)
38 3/8 x 25 1/8 x 22 1/8 in. (97.5 x 63.8 x 56.2 cm) (show scale)
H. Randolph Lever Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Léon Alexandre Marcott (French, 1824-1887). Armchair (Louis XVI Revival style), 1869. Ebonized blue beech, gilt bronze, original Aubusson tapestry upholstery (wool, linen warp), 38 3/8 x 25 1/8 x 22 1/8 in. (97.5 x 63.8 x 56.2 cm). Brooklyn Museum, H. Randolph Lever Fund
, 83.109. Creative Commons-BY (Photo: Brooklyn Museum, 83.109_bw.jpg)
overall, 83.109_bw.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Armchair, ebonized blue beech with gilt-bronze mounts in American Louis XVI style; seat and back upholstered in Aubusson tapestry. ARMCHAIR: Slightly bowed rectangular seat supported by four turned tapering legs, fluted and decorated with gilt-metal mounts. Above the fluting, a gilt-metal collar with leaf decoration is followed by turned discs which join the seat rail. The front legs terminate with a beaded disc and casters below. Gilt-metal rosettes are applied to block corners of seat rail, both front and sides, with larger rosettes at rear. Lower edge of seat rail is decorated with an applied gilt-metal strip embossed with leaf forms; upper edge has applied gilt-metal beading. Frame of chair back is rectangular with a shadow arch at the crest rail and gilt metal beading applied in a middle flute around the back. A gilt-metal mount is applied at the top of each stile on the crest rail. The arms sweep down from the crest rail to padded armrests. A gilt-metal acanthus leaf decorates the juncture to the seat rail which on the outer edge terminates in a scroll. UPHOLSTERY: Seat and back upholstered with persimmon ground Aubusson tapestry; symmetrical rococo cartouches in shades of gray and beige contain floral clusters and swags in shades of pink, green, and white; arm pads have sprigs and flowers.
CONDITION: generally good, upholstery very soiled and split in several areas over the seat. All gilt-metal mounts are in place; some have darkened. On proper left seat back just below crest rail, about 2" of side edge and 7/8" of top edge are missing. About 1 1/2" of beading is missing from proper right front of seat back just below arm joint. 10/20/1989: Katherine (Kasey) Grier of the Strong Museum in Rochester, NY, said that the gimp on this chair is a replacement.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.