Infinity Kisses II
On View: Elizabeth A. Sackler Center for Feminist Art, Northwest, 4th Floor
Not one to rest on her renegade avant-garde laurels, Carolee Schneemann’s series Infinity Kisses, begun in 1981, proposes an eccentric interspecies intimacy, one that the artist nurtured with generations of cats in her eighteenth-century farmhouse in upstate New York. Seeing her pets as reincarnations of a single being, Schneemann extended her career-long exploration of taboo sensuality into a series of blurry images that capture fleeting moments of hedonistic contact with a being she loved. Largely rejected by the art world at the time, Schneemann embraced her self-determined role as the ultimate outlandish cat lady, having learned from years of experience that it often takes the art world decades to catch up with transgressive women artists.
Each sheet: 60 × 40 in. (152.4 × 101.6 cm) (show scale)
Gift of Marc Routh by arrangement with the Remy-Toledo Gallery
© Carolee Schneemann
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Carolee Schneemann (American, 1939-2019). Infinity Kisses II, 1990-1998. Chromogenic photograph, Each sheet: 60 × 40 in. (152.4 × 101.6 cm). Brooklyn Museum, Gift of Marc Routh by arrangement with the Remy-Toledo Gallery, 2005.60a-b. © artist or artist's estate (Photo: Brooklyn Museum, 2005.60a_PS1.jpg)
component, a, 2005.60a_PS1.jpg. Brooklyn Museum photograph, 2006
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