Poppies on the Isles of Shoals
Frederick Childe Hassam
On View: American Art Galleries, 5th Floor, The United States on the World Stage, 1865–1930
Throughout his career, Frederick Childe Hassam made several extended trips to Europe, where he was inspired by the sights and the many artists he met there. A Back Road, completed the year after his first European tour, demonstrates a compositional daring and freedom of brushwork that were still unusual in American art of this period. Influenced by the work of the nineteenth-century French Barbizon School, Hassam emphasized heavy brushstrokes and intense lighting effects.
During a return visit several years later, Hassam found “a charming old French garden” at Villiers-le-Bel, near Paris. The setting reminded him of Appledore Island off the coast of Maine, home to his friend, the poet Celia Thaxter. Poppies on the Isles of Shoals is one of a number of works painted on Appledore in the years immediately following his Paris sojourn.
Oil on canvas
frame: 25 3/4 x 29 5/8 x 4 in. (65.4 x 75.2 x 10.2 cm)
18 x 21 15/16 in. (45.7 x 55.7 cm) (show scale)
Signed lower right: "Childe Hassam 1890"
Gift of Mary Pratt Barringer and Richardson Pratt, Jr. in memory of Richardson and Laura Pratt
Frederick Childe Hassam (American, 1859-1935). Poppies on the Isles of Shoals, 1890. Oil on canvas, frame: 25 3/4 x 29 5/8 x 4 in. (65.4 x 75.2 x 10.2 cm). Brooklyn Museum, Gift of Mary Pratt Barringer and Richardson Pratt, Jr. in memory of Richardson and Laura Pratt, 85.286 (Photo: Brooklyn Museum, 85.286_PS9.jpg)
overall, 85.286_PS9.jpg. Brooklyn Museum photograph, 2018
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.