Red Indian #4 (Spearman)
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Object Label
To create his sculpture, Wolberger took molds of toy figurines—objects that were themselves based on stock images of Native Americans in nineteenth-century landscape paintings of America’s wilderness. Such imagery helped to foster perceptions among non-Natives of Indians as uncivilized, hostile, and an impediment to national progress defined by westward expansion.
The irregular “fins” around the edges of Wolberger’s sculpture, which mimic the seams of their mass-produced toy counterparts, symbolize the continuing proliferation of standardized images of Native Americans and the American frontier. Moreover, the lack of detail and the generic character of his warrior underscore the ways in which stereotypes deny historical circumstances and ignore the diversity of Native peoples.
Caption
Yoram Wolberger (American, born Israel, 1963). Red Indian #4 (Spearman), 2008. 3-D digital scanning, CNC digital sculpting, reinforced fiberglass composites, Urethane paint , 75 x 75 x 22 in. (190.5 x 190.5 x 55.9 cm). Brooklyn Museum, Purchased with funds given by the Mark & Hilarie Moore Family Trust in memory of Robert H. Chaney, 2008.71. © Yoram Wolberger. (Photo: Brooklyn Museum)
Gallery
Not on view
Collection
Gallery
Not on view
Collection
Artist
Title
Red Indian #4 (Spearman)
Date
2008
Medium
3-D digital scanning, CNC digital sculpting, reinforced fiberglass composites, Urethane paint
Classification
Dimensions
75 x 75 x 22 in. (190.5 x 190.5 x 55.9 cm)
Credit Line
Purchased with funds given by the Mark & Hilarie Moore Family Trust in memory of Robert H. Chaney
Accession Number
2008.71
Rights
© Yoram Wolberger
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