Gathering of Nations
Arts of the Americas
On View: American Art Galleries, 5th Floor, Beyond Borders and Boundaries, 20th and 21st Centuries
This coiled basket is anything but traditionally executed. It was created especially for the Museum by the artist. Around the exterior it depicts eleven different women, each wearing the traditional dress of her tribe or nation. Each woman holds a three-dimensional basket woven in the style of her people and, facing outward, presents it to the world. The circle of women is repeated on the interior, where they compose a community of basket makers and present their baskets to each other.
Waxed linen thread, single-rod hemp core, red and yellow cedar, reed, raffia, sweetgrass, pine needles, silk thread, cherry bark, artificial sinew
7 x 11 1/2 x 11 1/2 in. (17.8 x 29.2 x 29.2 cm) (show scale)
Museum Collection Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Carol Emarthle-Douglas (Northern Arapaho-Seminole, Native American, born 1959). Gathering of Nations, 2010. Waxed linen thread, single-rod hemp core, red and yellow cedar, reed, raffia, sweetgrass, pine needles, silk thread, cherry bark, artificial sinew, 7 x 11 1/2 x 11 1/2 in. (17.8 x 29.2 x 29.2 cm). Brooklyn Museum, Museum Collection Fund, 2011.5. Creative Commons-BY (Photo: Brooklyn Museum, 2011.5_view1_PS9.jpg)
overall, 2011.5_view1_PS9.jpg. Brooklyn Museum photograph, 2013
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
This traditional, coiled basket is created especially for the Museum for the tipi exhibition by the artist Carol Emarthle-Douglas. On a natural background, it depicts eleven different women, each wearing the traditional dress of her Tribe, or Nation. In her hands she extends out a three dimensional basket woven in the style of her people as if to present it to the entire world. This is reflected exactly the same on the inside where she extends her basket as if to her community of basket makers. Four different basket making techniques are represented and materials are as follows by Nation:
Seminole-One-rod coiling- one coiled pine needle, wrapped with raffia
Haida- Twining- Red and Yellow cedar bark, commercial dye
Pomo-One rod coiling-Round reed wrapped with raffia, various colors
Navajo- One rod coiling- Round reed wrapped with raffia, various colors
Yakima-One rod coiling- Round reed wrapped with raffia, various colors
Nez Perce-Twining-Waxed linen thread in brown, green and white
Northern Arapaho-One rod coiling, Coiled cloth wrapped with wire core, wrapped silk thread
Ojibwa-Bending bark, Cherry bark, artificial sinew, etched design
Penobscot- Twining- Black ash, sweet grass
Chitimacha-Twill- Black ash, yellow cedar
Cherokee- Twill-Yellow cedar, dyed yellow cedar
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.