Centripital Spring Chair
On View: Special Exhibition Gallery, 4th Floor
Thomas E. Warren’s “Centripetal Spring” chair is the forerunner of Don Chadwick and Bill Stumpf’s Aeron chair, designed nearly 150 years later. Both are made principally of metal, raised on casters for mobility, rotate on a central column, and allow for adjustment of the angle of the seat. The very different look of the chairs suggests the ways that consumer attitudes toward industrial invention and modernity have evolved over the centuries. Although Warren’s chair bears a patent mark (on the bottom of the seat), he felt the need to mitigate the newness of his invention by concealing its ingenious metal spring system beneath a dense, soft curtain of luxurious passementerie (elaborate trim). Similarly, he disguised his progressive use of cast iron for the frame by rendering it in the backward-looking Rococo Revival style and gilding it. In contrast, the makers of the Aeron chair reveal its mechanical elements, celebrate its recycled man-made materials, and use a monochromatic black to underline the seriousness of the design, all without fear of losing customers.
Cast iron, wood, modern upholstery, modern trim, original fringe
34 1/4 x 23 1/2 x 28 1/4 in. (87 x 59.7 x 71.8 cm) (show scale)
On bottom: Stenciled in black " THOS.E. WARREN'S/ PATENT/ American[?] C[?] Tryoy, N.Y."
Designated Purchase Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact email@example.com
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Thomas E. Warren (American, born 1808). Centripital Spring Chair, ca. 1849-1858. Cast iron, wood, modern upholstery, modern trim, original fringe, 34 1/4 x 23 1/2 x 28 1/4 in. (87 x 59.7 x 71.8 cm). Brooklyn Museum, Designated Purchase Fund, 2009.27. Creative Commons-BY
overall, 2009.27_threequarter_PS6.jpg. Brooklyn Museum photograph, 2011
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Cast iron swivel/tilting arm chair, concave back with gilded edge and on outer back rococo hand painted decoration consisting of rocaille decoration of gold against black, fades to lighter central portion with exotic bird in flight, proper left three gold fish in bowl and proper right floral bouquet. Circular wooden seat frame painted black, elaborate open work floral gilt cast iron arm rest supports narrow padded and upholstered arm rest. Sprung seat, back, seat, and arm pads covered in modern machine woven gold and brown dense floral design,original elaborate long netted and tassel fringe ending in large pom poms attached to seat rail. Base comprised of eight large 'C' shaped flattened metal scrolls that converge towards central swivel mechanism, the whole raised on four cast iron open work scrolling horizontal supports, in turn raised on metal casters.
Condition: very good
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.