Candlestick, Part of a Five Piece Clock Garniture
Composed of newly made machine parts, this clock garniture (a set of decorative objects for display) is an overt celebration of the machine and industrialization. Just a generation earlier, political reformers and writers such as Charles Dickens were preoccupied with the negative aspects of the Industrial Revolution, including the blight of polluted, overcrowded cities. By 1885, as the Eiffel Tower rose in Paris, a tamer, less menacing vision of the factory and machine had emerged; industrial design could now function as the emblem of a capital city or—as here—as a collectible for an entrepreneur. If one turns the base of the large candelabra, the cogs engage and the candle holders move up and down.
9 1/4 x 4 1/2 x 4 1/2 in. (23.5 x 11.4 x 11.4 cm) (show scale)
Gift of Marcus S. Friedlander, by exchange
Central column supports single candle holder with a flat disc rim; below candle holder downward flaring opposed thin rods that terminate in small spheres; on flat, thick, circular base are attached individual industrial tools such as a compass, cog wheel, and protractor.
This item is not on view
Andre´ Romain Guilmet (1827-1892). Candlestick, Part of a Five Piece Clock Garniture, ca. 1880. Nickel-plated metal, 9 1/4 x 4 1/2 x 4 1/2 in. (23.5 x 11.4 x 11.4 cm). Brooklyn Museum, Gift of Marcus S. Friedlander, by exchange, 2009.49.5. Creative Commons-BY (Photo: , 2009.49.1-.5_PS6.jpg)
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.