Kachina Doll (Angwusnasomtaqa [Crow Mother])
Arts of the Americas
In the southwestern United States, a supernatural being that represents a life-force or embodies a natural phenomenon such as the sun, the moon, a plant, or an animal is called a koko by the Zuni and a katsina (commonly anglicized as “kachina”) by the Hopi. Such beings have the power to control rainfall, crop growth, and fertility; to cure and protect; and to act as messengers between the gods and human beings. Carved kachina figures, also known as kachina dolls, are representations of these spirits and can have a sacred or an educational purpose. During some ceremonies, the carvings are given to community members to reward virtuous behavior, recognize a recent marriage, or teach children about religion. In the 1800s, a lively market for the carvings developed among non-Native collectors and tourists, giving rise to the elaborate art form that flourishes today.
Cottonwood root, acrylic paint, feathers, fur, hide, synthetic wool and yarn, painted canvas
15 x 9 x 4 1/2 in. (38.1 x 22.9 x 11.4 cm) (show scale)
On base : Angwysnasomtaka kachina Crow Mother kachina , (artist) Seona and crossed mark below the name
Gift of Edith and Hershel Samuels
Crow Mother (Angwusnasomtaqa) kachina doll. Female figure carved from one piece of cottonwood root she leans slightly forward and holds both arms out carrying a bundle of sticks. Her headdress is large and dramatic with rayed feathers on either side of a bright blue helmet style mask with slender blue horns. The front of the mask has a large upside down, black triangle with a smaller one under it. Across the top and down the sides of the mask is a braided yellow and red yarn. There is a fur ruff around her neck. She wears a long dress made from cotton and trimmed with red and green yarn with a white braided yarn sash. She has a white, canvas mantle around her back and wears carved white boots. Crow Mother performs many roles and functions. She participates in the initiation blessings of children 10 - 15 years old, guides the whipper (punishment) Kachinas who are considered to be her children. Aggressive in temperament she is very active insuring that she will get attention and that her messages about the importance of the Kachina culture will be heard by the initiates. She appears during the Powamuya- purification ceremonies in February. Note the Kachina is portrayed by a man.
This item is not on view
Seona. Kachina Doll (Angwusnasomtaqa [Crow Mother]), 1960-1970. Cottonwood root, acrylic paint, feathers, fur, hide, synthetic wool and yarn, painted canvas, 15 x 9 x 4 1/2 in. (38.1 x 22.9 x 11.4 cm). Brooklyn Museum, Gift of Edith and Hershel Samuels, 2010.6.2. Creative Commons-BY (Photo: Brooklyn Museum, 2010.6.2_front_PS2.jpg)
front, 2010.6.2_front_PS2.jpg. Brooklyn Museum photograph, 2009
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.