Large Storage Jar
Arts of the Americas
On View: Luce Visible Storage and Study Center, 5th Floor
late 19th-early 20th century
11 3/4 x 12 1/2 x 12 1/2in. (29.8 x 31.8 x 31.8cm) (show scale)
Brooklyn Museum Collection
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
She-we-na (Zuni Pueblo). Large Storage Jar, late 19th-early 20th century. Clay, paint, 11 3/4 x 12 1/2 x 12 1/2in. (29.8 x 31.8 x 31.8cm). Brooklyn Museum, Brooklyn Museum Collection, X949.1. Creative Commons-BY (Photo: Brooklyn Museum, x949.1_bw.jpg)
overall, x949.1_bw.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Large storage jar with round, full body, narrow shoulder and short, wide neck. Base is concave. Design is polychrome red and black on white. Two flower medallions are on opposite sides of the body connected by a scroll, in reverse white on red, strip along the middle. There are curvilinear geometric designs above and below this median strip. The body and the neck are two separate design fields. 80% of the rim is broken off.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.