Head Plume (Wo-lo-wai-to), One of a Pair
Arts of the Americas
Red-shafted flicker feathers, acorn woodpecker scalp feathers, valley-quail topknot feathers, abalone shell, glass beads, oak, iron wire, cotton string
late 19th-early 20th century
1 3/16 x 4 5/16 x 12 5/8 in. (3 x 11 x 32.1 cm) (show scale)
This item is not on view
Museum Expedition 1908, Museum Collection Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact firstname.lastname@example.org
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
George Barber (Maidu, Native American, 1833-1918). Head Plume (Wo-lo-wai-to), One of a Pair, late 19th-early 20th century. Red-shafted flicker feathers, acorn woodpecker scalp feathers, valley-quail topknot feathers, abalone shell, glass beads, oak, iron wire, cotton string, 1 3/16 x 4 5/16 x 12 5/8 in. (3 x 11 x 32.1 cm). Brooklyn Museum, Museum Expedition 1908, Museum Collection Fund, 08.491.8801.1. Creative Commons-BY (Photo: Brooklyn Museum, 08.491.8801.jpg)
overall, 08.491.8801.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
At either side of this bunch of owl feathers are one or two pairs of triple pronged ceremonial hairpins. Wire is used as their base as the desired effect is to make them tremble as the dancer moves.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.