Photograph courtesy of the artist

Object Label

In her photomontages, Martha Rosler cuts out images of women’s bodies, mimicking corporeal trauma and the violence of war. In Bowl of Fruit, the image of a Vietnamese child crouching quietly on a modern kitchen counter is included. The contrast between the child and the wealthy white suburban home calls attention to the possibility for domestic complacency in the face of—and insulation against—an inundation of media depictions of the Vietnam War. Rosler also explores the housewife’s role as an audience for the distractions of consumerism, while she is at the same time depicted as a “product,” by juxtaposing the consumption of food, media, and pornography.

Caption

Martha Rosler American, born 1943. Bowl of Fruit, 1966–1972. Estimated chromogenic photograph, 20 × 16 in. (50.8 × 40.6 cm) frame: 20 3/4 × 16 1/2 × 1 1/2 in. (52.7 × 41.9 × 3.8 cm). Brooklyn Museum, Emily Winthrop Miles Fund, 2011.84. © artist or artist's estate (Photo: Photograph courtesy of the artist, CUR.2011.84_TL2011.66_artist_photo.jpg)

Title

Bowl of Fruit

Date

1966–1972

Medium

Estimated chromogenic photograph

Classification

Collage

Dimensions

20 × 16 in. (50.8 × 40.6 cm) frame: 20 3/4 × 16 1/2 × 1 1/2 in. (52.7 × 41.9 × 3.8 cm)

Credit Line

Emily Winthrop Miles Fund

Accession Number

2011.84

Rights

© artist or artist's estate

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