Skip Navigation

A Merry Company on the Banks of the Rímac River

Lima School

European Art

On View: Beaux-Arts Court, East, 3rd Floor
Very few secular landscapes from colonial Peru survive today. This painting, with all the trappings of New World wealth, would have been an ideal candidate for display in an elaborately decorated estrado. Here, an elegant company seeks fresh air on the grounds of a country estate, seen in the left distance. The figures include peninsular Spaniards, Indians, Creoles, and African servants. The white men wear fashionable Europeanstyle suits, but their wealthy female counterparts are dressed in the distinctive native South American pollera ensemble (see illustration). The scene includes silver tea accoutrements, such as pavas (water heaters) and maté cups, that were common fixtures in South American estrados.

Muy pocos paisajes seculares del Perú colonial han sobrevivido hasta hoy. Esta pintura, con toda la rica parafernalia del Nuevo Mundo, hubiese sido ideal para exhibirse en el lujosamente decorado estrado. Aquí, un grupo elegante toma aire fresco en los terrenos de una casa de campo, que se ve a la distancia al lado izquierdo. Las figuras incluyen españoles peninsulares, criollos, indios y criados africanos. Los hombres blancos llevan trajes al estilo europeo, pero sus contrapartes femeninas visten la característica pollera autóctona sudamericana (ver ilustración). La escena incluye un servicio de té de plata, con pavas (calentadores de agua) y tazas de mate, artículos comunes en los estrados sudamericanos.
ARTIST Lima School
MEDIUM Oil on canvas
DATES ca.1800
DIMENSIONS 26 x 35 1/2 in. (66 x 90.2 cm) frame: 33 5/8 x 43 x 2 in. (85.4 x 109.2 x 5.1 cm)  (show scale)
MUSEUM LOCATION This item is on view in Beaux-Arts Court, East, 3rd Floor
CREDIT LINE Gift of Lilla Brown in memory of her husband, John W. Brown, by exchange
RIGHTS STATEMENT No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement. You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act. The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals. For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact
CAPTION Lima School. A Merry Company on the Banks of the Rímac River, ca.1800. Oil on canvas, 26 x 35 1/2 in. (66 x 90.2 cm). Brooklyn Museum, Gift of Lilla Brown in memory of her husband, John W. Brown, by exchange, 2012.41 (Photo: Brooklyn Museum, 2012.41_PS6.jpg)
IMAGE overall, 2012.41_PS6.jpg. Brooklyn Museum photograph, 2012
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome any additional information you might have.