Stoneware with ash glaze
Marked on the base: "Ken"
On the lid of the storage box:
Sekki - Seijaku '06 (Stoneware - Tranquility '06)
This item is not on view
Gift of Steven Korff and Marcia Van Wagner
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Mihara Ken (Japanese, born 1958). Vase, 2006. Stoneware with ash glaze, 11 x 8 11/16 in. (28 x 22 cm). Brooklyn Museum, Gift of Steven Korff and Marcia Van Wagner, 2014.60.1. Creative Commons-BY (Photo: Brooklyn Museum, CUR.2014.60.1_print.jpg)
. Brooklyn Museum photograph, 2015
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Tall vase on small foot with body that flares out sharply near the base. Six vertical seams run up the walls, creating facets are sharper near the base but gradually soften toward the top. The surface is mottled in shades of gray, blue, and orange, the product of multiple firings.
Object has a storage box signed by the artist. Arrived with the artist's signed drawing of the object.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.