Arts of Africa
On View: African Storage Annex, East Gallery, 1st Floor
Ivory’s value results from its scarcity, as well as its association with the elephant, a symbol of power and strength. Ivory bracelets, decorated with engraved designs, were made by the Fur of the Darfur region of Sudan and traded as far as Eritrea and the Republic of the Congo. Hairpins from the northeastern Democratic Republic of the Congo are worn by both men and women to hold hats and ornate hairstyles in place. These hairpins are particularly ostentatious, since each is made from a large piece of ivory, most of which is carved away.
late 19th or early 20th century
Museum Expedition 1922, Robert B. Woodward Memorial Fund
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact firstname.lastname@example.org
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Mangbetu. Hairpin, late 19th or early 20th century. Ivory, pigment, 7 3/4 in. (19.7 cm). Brooklyn Museum, Museum Expedition 1922, Robert B. Woodward Memorial Fund, 22.912. Creative Commons-BY (Photo: Brooklyn Museum, 22.912_PS6.jpg)
overall, 22.912_PS6.jpg. Brooklyn Museum photograph, 2011
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Hair ornament with one end flat and slightly-flared, and the other pointed. Engraved at top are eleven bands of crosshatching and diagonal lines, all filled in with dark pigment. Surface wear, but condition good.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.