On View: Luce Visible Storage and Study Center, 5th Floor
The shield-back chair, illustrated in English pattern books by George Hepplewhite and Thomas Sheraton, became one of the most popular American chair forms by the end of the eighteenth century. These two Federal-style chairs were upholstered over the seat rail using a decorative pattern of brass tacks to secure the material. A swag pattern of nail holes found on the seat rails of the chairs during conservation indicates that their original upholstery was attached in this manner. One chair has been reupholstered with modern horsehair textile and brass tacks that follow the original pattern.
Mahogany, cherry, ash, brass tacks
39 1/4 x 21 1/4 x 18 1/2 in. (99.69 x 53.97 x 46.99 cm) (show scale)
Matthew Scott Sloan Collection, Gift of Lidie Lane Sloan McBurney
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact firstname.lastname@example.org
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Side Chair, ca. 1800. Mahogany, cherry, ash, brass tacks, 39 1/4 x 21 1/4 x 18 1/2 in. (99.69 x 53.97 x 46.99 cm). Brooklyn Museum, Matthew Scott Sloan Collection, Gift of Lidie Lane Sloan McBurney, 1997.150.6. Creative Commons-BY (Photo: Brooklyn Museum, 1997.150.6_1997.150.7_transp701.jpg)
overall, 1997.150.6_1997.150.7_transp701.jpg. Brooklyn Museum photograph, 2004
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Unupholstered shield back chair with central oval enclosing Prince of Wales feathers above a decorative classical urn centered between two carved feathery stems terminating in volute-like roundels with pendant drapery swags. The plumes fold over themselves, displaying the undersides, which are delineated by two sharp edges. The middle plume touches the base of the crest rail. The base of the shield back culminates with a leaf fan consisting of alternating large and small leaves. Seat rail is unvarnished and seat is open because the original upholstery has been lost. Stretchers connect the four legs in an "A" shape. A band or rim wraps around the top of the reeded front legs; reeding is carved on the front and outer sides of front legs, a groove encompasses the front and both sides of the lower front legs approximately 1" from the floor. One of a set of nine (others in set are upholstered with modern horsehair upholstery), possibly made at different times or locations.
CONDITION - Good . There is no bead molding at the proper left foot front. There is a triangular insert on the proper right stile. The lower five inches of the proper left rear leg has been broken and repaired with what appears to be a loose tongue with draw boring. There is a deep scratch on the back stretcher.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.