Back

To render the three-dimensional volume of the female form, Bradley Walker Tomlin created delicate tonal modulations by dragging and rubbing a Conté crayon across the textured surface of the paper. Intersecting Cubist planes, lightly sketched on the figure’s lower back, hint at an underlying abstract structure, while accents of watercolor around the figure add a decorative touch.

Best known for his mature Abstract Expressionist paintings, Tomlin destroyed much of his early work, of which Back is a rare surviving example.