Art-Students and Copyists in the Louvre Gallery, Paris
Regarded as one of the great American Realists of the nineteenth century, Winslow Homer is known primarily for his large body of works in oil and watercolor. However, he also had an early career as a freelance illustrator, making drawings for wood engravings that were reproduced in mass-circulation periodicals such as Harper’s Weekly. In 1998, the Brooklyn Museum received a generous gift of more than 250 wood-engraved illustrations by Homer from Harvey Isbitts.
The Harper’s Weekly issue in which this engraving appeared contained a brief history of the Louvre. The piece was introduced with a reference to Homer’s time in Paris, and the text extolled the Louvre for its invaluable role in aiding aspiring artists. In this drawing Homer concentrated on the growing number of women among the legions of students in Paris. These modern females are shown copying Eugène Delacroix’s The Death of Sardanapolous, 1826, a monumental canvas whose violent imagery was in sharp contrast to the genteel still lifes and dainty watercolors that were generally considered suitable “feminine” subjects and formats. In essence, Homer addressed in this work the revolution in art education for women in the post-Civil War era.
Sheet: 9 3/16 x 13 7/8 in. (23.3 x 35.2 cm)
Frame: 16 3/4 x 22 3/4 x 1 1/2 in. (42.5 x 57.8 x 3.8 cm) (show scale)
This item is not on view
Gift of Harvey Isbitts
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact firstname.lastname@example.org
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Winslow Homer (American, 1836-1910). Art-Students and Copyists in the Louvre Gallery, Paris, 1868. Wood engraving, Sheet: 9 3/16 x 13 7/8 in. (23.3 x 35.2 cm). Brooklyn Museum, Gift of Harvey Isbitts, 1998.105.102 (Photo: Brooklyn Museum, 1998.105.102_bw.jpg)
overall, 1998.105.102_bw.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Page from Harper's Weekly, January 11, 1868, vol. XII, p. 25
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.