On View: Luce Visible Storage and Study Center, 5th Floor
Aluminum and other metals
9 x 4 1/4 x 4 1/4 in. (22.9 x 10.8 x 10.8 cm) (show scale)
Gift of Karim Rashid
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact firstname.lastname@example.org
Karim Rashid (Canadian, born Egypt, 1960). Abaxial Clock, 1992. Aluminum and other metals, 9 x 4 1/4 x 4 1/4 in. (22.9 x 10.8 x 10.8 cm). Brooklyn Museum, Gift of Karim Rashid, 1999.28.8. Creative Commons-BY (Photo: Brooklyn Museum, 1999.28.8_bw.jpg)
overall, 1999.28.8_bw.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Horizontal cone-shaped clock with truncated point. Clock face is on vertical base of cone. Clock is gray metal with a black face that has no markings. Hour, minute, and second hands are silvered metal rectangles. Minute and hour hands extend well beyond the edge of the clock face. Raised on three detachable splayed tapered silvered metal legs.
CONDITION: Minor scratches and pitting on legs. Remnants of adhesive and (cellophane?) tape across back.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.