Self Portrait (The Pine Knot Portrait)
On View: Luce Visible Storage and Study Center, 5th Floor
Bronze, stone base
1822; cast 1971
22 x 17 x 11 in. (55.9 x 43.2 x 27.9 cm) (show scale)
Inscribed on back of round pedestal base: "PENNSYLVANIA ACADEMY / OF THE FINE ARTS / © KENNEDY GALLERIES- / 6/15"
Gift of Martha Fleischman
Shoulder-length bust portrait of older man with head turned to proper right; head appears as if emerging out of pine trunk (which forms neck and shoulders) with knots and a pine branch across the front; bust raised on round pedestal atop black stone square plinth base.
William Rush (American, 1756-1833). Self Portrait (The Pine Knot Portrait), 1822; cast 1971. Bronze, stone base
, 22 x 17 x 11 in. (55.9 x 43.2 x 27.9 cm). Brooklyn Museum, Gift of Martha Fleischman, 2002.2. Creative Commons-BY (Photo: Brooklyn Museum, 2002.2_bw.jpg)
Edition: Cast: 6/15
overall, 2002.2_bw.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.