On View: Luce Visible Storage and Study Center, 5th Floor
Designed 1914; Cast August 3, 1916
17 1/4 x 6 7/8 x 6 in. (43.8 x 17.5 x 15.2 cm) (show scale)
Foundry mark inscribed along bottom edge below tail: "GORHAM CO. FOUNDERS / QAKQ G [illegible symbols]"
Inscribed on bottom edge at back: " .HELEN. FARNSWORTH. MEARS. SC."
Inscribed on bottom edge at front right: "COPYRIGHTED. 1916. / BY. MARY. MEARS."
Gift of Mary Mears
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Helen Farnsworth Mears (American, 1871-1916). The Awakening, Designed 1914; Cast August 3, 1916. Bronze, 17 1/4 x 6 7/8 x 6 in. (43.8 x 17.5 x 15.2 cm). Brooklyn Museum, Gift of Mary Mears, 20.990.1. Creative Commons-BY (Photo: Brooklyn Museum, 20.990.1_bw.jpg)
overall, 20.990.1_bw.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Sketch for statue of allegorical figure; centaur with large outstretched wings twisting body over its back; one wing points straight up; standing on an ovoid base over figure of a fallen lamb; some gold patina and richly modeled surfaces.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.