Skip Navigation

Tiddy-doll the Great French Gingerbread Baker Drawing Out a New Batch of Kings

James Gillray

European Art

After Napoleon's victory at the Battle of Austerlitz in 1805, James Gillray published this etching, which shows the emperor pulling "imperial gingerbread," labeled with the names of three German territories, from the "new French oven." Behind the emperor is French Foreign Minister Charles Maurice de Talleyrand-Périgord kneading the dough to prepare Hungary, Poland, and Turkey for transformation under Napoleonic rule. Here, Gillray uses the vocabulary of satire to highlight the rate of Napoleon's conquests and his creation and installation of loyal rulers, expressing British anxieties over the French emperor's growing dominance across Europe.
MEDIUM Etching and watercolor (hand coloring) on wove paper
DATES 1806
DIMENSIONS image: 9 3/8 × 14 3/8 in. (23.8 × 36.5 cm) sheet: 10 × 14 5/8 in. (25.4 × 37.1 cm)  (show scale)
CREDIT LINE Bequest of Dr. Marion Reilly
MUSEUM LOCATION This item is not on view
CAPTION James Gillray (British, 1757–1815). Tiddy-doll the Great French Gingerbread Baker Drawing Out a New Batch of Kings, 1806. Etching and watercolor (hand coloring) on wove paper, image: 9 3/8 × 14 3/8 in. (23.8 × 36.5 cm). Brooklyn Museum, Bequest of Dr. Marion Reilly, 29.250 (Photo: Brooklyn Museum, 29.250_PS4.jpg)
IMAGE overall, 29.250_PS4.jpg. Brooklyn Museum photograph, 2010
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement. You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act. The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals. For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome any additional information you might have.