Lost Lake, Yosemite
Marguerite Thompson Zorach
American Art
Expressive design was always at the heart of Marguerite Zorach’s art. Basing her imagery on some firsthand sketches (in this case made on a trip to Yosemite in 1920), Zorach preferred to work away from her original motifs in nature to achieve a composition independent of direct observation. Employing a decorative approach—with formal patterns and non-naturalistic colors—in a number of media, she initially was best known for her hand-sewn pictorial tapestries, for which her watercolors sometimes served as preparatory designs.
MEDIUM
Watercolor over graphite on cream, moderately thick, slightly textured, wove paper
DATES
1920
DIMENSIONS
10 1/16 x 13 5/8 in. (25.6 x 34.6 cm)
Frame: 18 x 24 x 1 1/2 in. (45.7 x 61 x 3.8 cm)
(show scale)
SIGNATURE
Signed in pen and brown ink at bottom right: "M. ZORACH / 1920"
ACCESSION NUMBER
45.122
CREDIT LINE
Gift of Ettie Stettheimer
MUSEUM LOCATION
This item is not on view
CAPTION
Marguerite Thompson Zorach (American, 1887–1968). Lost Lake, Yosemite, 1920. Watercolor over graphite on cream, moderately thick, slightly textured, wove paper, 10 1/16 x 13 5/8 in. (25.6 x 34.6 cm). Brooklyn Museum, Gift of Ettie Stettheimer, 45.122. © artist or artist's estate (Photo: Brooklyn Museum, 45.122.jpg)
IMAGE
overall, 45.122.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RIGHTS STATEMENT
© The Zorach Collection LLC
The Brooklyn Museum holds a non-exclusive license to reproduce images of this work of art from the rights holder named here.
The Museum does not warrant that the use of this work will not infringe on the rights of third parties. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
For further information about copyright, we recommend resources at the
United States Library of Congress,
Cornell University,
Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and
Copyright Watch.
For more information about the Museum's rights project, including how rights types are assigned, please see our
blog posts on copyright.
If you have any information regarding this work and rights to it, please contact
copyright@brooklynmuseum.org.
If you wish to contact the rights holder for this work, please email
copyright@brooklynmuseum.org and we will assist if we can.
RECORD COMPLETENESS
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and
we welcome any additional information you might have.