House at Riverdale
Edward Hopper established his artistic reputation in the early twenties on the basis of his watercolors, particularly his bright but stark “portraits” of the Victorian houses of Cape Ann, Massachusetts. Deceptively simple, these works demonstrate Hopper’s talent for spare compositions, as well as his exceptional control of the washes with which he suggested the brilliant effects of coastal light. In 1923, the Brooklyn Museum was the first institution to purchase a Hopper watercolor—The Mansard Roof (23.69).
Watercolor with graphite sketch on white, medium weight, roughly textured wove paper
13 7/8 x 19 7/8 in. (35.2 x 50.5 cm)
Frame: 24 1/4 x 30 1/4 x 2 in. (61.6 x 76.8 x 5.1 cm) (show scale)
Signed lower left, in green watercolor: "Edward Hopper / Gloucester"
This item is not on view
Bequest of Anita Steckler
© Heirs of Josephine N. Hopper, licensed by the Whitney Museum of American Art
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Edward Hopper (American, 1882-1967). House at Riverdale, 1928. Watercolor with graphite sketch on white, medium weight, roughly textured wove paper, 13 7/8 x 19 7/8 in. (35.2 x 50.5 cm). Brooklyn Museum, Bequest of Anita Steckler, 2003.1. © artist or artist's estate (Photo: Brooklyn Museum, 2003.1_SL1.jpg)
overall, 2003.1_SL1.jpg. Brooklyn Museum photograph
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