Arts of Africa
We rarely know the names of past African artists, but Ali Amonikoyi is an exception, largely because he was a distinctive artistic innovator. He used metalworking techniques to make objects normally carved in wood and then used these objects in a nontraditional context. Moreover, he produced his works in proximity to colonial officials who observed and recorded his personal and artistic history.
Amonikoyi was a Yoruba born in Nigeria who migrated to Togo. There he used ancient brass-casting techniques to make mask forms resembling Yoruba gelede masks. These masks were placed on top of graves as memorials to the deceased, rather than being worn in dance performances.
10 1/2 x 7 1/4 x 5 1/2 in. (26.7 x 18.4 x 14.0 cm) (show scale)
Museum Expedition 1922, Robert B. Woodward Memorial Fund
Mask of male face with beard, elaborate cap, pointed features.
This item is not on view
Ali Amonikoyi (Nigerian, 1880-1920). Mask, ca. 1910. Copper alloy, 10 1/2 x 7 1/4 x 5 1/2 in. (26.7 x 18.4 x 14.0 cm). Brooklyn Museum, Museum Expedition 1922, Robert B. Woodward Memorial Fund, 22.1692. Creative Commons-BY (Photo: Brooklyn Museum, 22.1692_SL1.jpg)
overall, 22.1692_SL1.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.