Union Square

Julian Alden Weir

Brooklyn Museum photograph

Object Label

The Conservator's Eye

Set in Manhattan’s Union Square, this scene captures the urban street types and bohemian artists who populated the neighborhood.

Julian Alden Weir cut apart a larger composition titled In the Park sometime after it received harsh criticism at the 1879 Society of American Artists exhibition. One of three fragments, Union Square was cut in the shape of an oval and expanded into a rectangle through the addition of four spandrels, the triangular additions at the corners. Weir extended the composition onto the additions, filling in the sky and the bottom of the central figure’s fur muff. There is a tonal difference between the two generations of paint. This is because Weir matched the newer colors to a dirty varnish layer on the oval, which has since been cleaned away.

Caption

Julian Alden Weir (American, 1852–1919). Union Square, ca. 1879. Oil on canvas, 29 7/8 x 24 15/16 in. (75.9 x 63.4 cm) frame: 41 3/4 x 36 3/4 x 5 3/4 in. (106 x 93.3 x 14.6 cm). Brooklyn Museum, Museum Collection Fund, 26.410. (Photo: Brooklyn Museum)

Gallery

Not on view

Collection

American Art

Title

Union Square

Date

ca. 1879

Medium

Oil on canvas

Classification

Painting

Dimensions

29 7/8 x 24 15/16 in. (75.9 x 63.4 cm) frame: 41 3/4 x 36 3/4 x 5 3/4 in. (106 x 93.3 x 14.6 cm)

Signatures

Signed lower right: "J Alden Weir"

Credit Line

Museum Collection Fund

Accession Number

26.410

Frequent Art Questions

  • Why does there seem to be a halo around the figures?

    As the label might already explain, this is a fragment of a larger work originally titled "In the Park." After this piece was cut away from the original work, it was re-cut into an oval.
    Then those "spandrels" (triangular additions to the corners) were cut from another piece of canvas and added later. Weir painted them to fill out the composition into a rectangle again! He matched the colors on the spandrels to the colors resulting from the dark varnish that was on the original composition. Because the varnish was later removed, we're left with a lighter oval center. Complicated, right?
    Makes sense but yes, complicated!

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