Download our app and ask your own questions during your visit. Here are some that others have asked.
Does all Yakovlev's work feature the person not looking at audience?
No, he painted subjects in various ways all around the globe. He was an expedition painter and he also taught at the Boston Museum of Fine Arts art school.
Arab Merchant
Aleksandr Yakovlev
European Art
On View:
These two paintings by Aleksandr Yakovlev show the artist’s key role in ushering in a new classicism in post- Revolutionary Russian art. Yakovlev trained at the Saint Petersburg Academy of Arts but traveled at a young age to Italy and Spain, where he applied the light and modeling of the Old Masters to modern subjects. Unable to return to Russia after the outbreak of the October Revolution, Yakovlev settled in Paris but continued to travel across the globe, immersing himself in world cultures. Arab Merchant was painted in Tunisia.
This text refers to these objects:
30.1150; 44.220
CAPTION
Aleksandr Yakovlev (Russian, 1887–1938). Arab Merchant, 1930. Oil on canvas, 19 1/8 × 12 13/16 in. (48.6 × 32.5 cm). Brooklyn Museum, Frederick Loeser Fund, 30.1150 (Photo: Brooklyn Museum, 30.1150_acetate_bw.jpg)
IMAGE
overall, 30.1150_acetate_bw.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement.
You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply).
The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals.
For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch.
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright.
If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.
RECORD COMPLETENESS
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome any additional information you might have.
Download our app and ask your own questions during your visit. Here are some that others have asked.
Does all Yakovlev's work feature the person not looking at audience?
No, he painted subjects in various ways all around the globe. He was an expedition painter and he also taught at the Boston Museum of Fine Arts art school.