Male Birth God
Egyptian, Classical, Ancient Near Eastern Art
On View: Egyptian Orientation Gallery, 3rd Floor
Over time, the image of the Egyptian birth-god underwent an evolution.
During the Middle Kingdom and at the beginning of the Eighteenth Dynasty, the male birth-god appeared as a lion-man: a human man with a feline mane and tail. Around the middle of the dynasty, the Egyptians sought to combat an increase in infant mortality with a new amuletic form. Beginning with Amunhotep II (circa 1426–1400 B.C.E.), the birth-god’s body assumed the characteristics of a dwarf with short, thick limbs, sunken chest, and fleshy buttocks. Because dwarfs rarely survived infancy in antiquity, one who did was considered magical. By combining the attributes of these “charmed” dwarfs with the ancient lion-man, craftsmen produced a new, more powerful protector of women and children.
ca. 1426-1292 B.C.E.
middle XVIII Dynasty-late XVIII Dynasty
Gift of Evangeline Wilbour Blashfield, Theodora Wilbour, and Victor Wilbour honoring the wishes of their mother, Charlotte Beebe Wilbour, as a memorial to their father Charles Edwin Wilbour
You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license
. Fair use, as understood under the United States Copyright Act, may also apply.
Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
Male Birth God, ca. 1426-1292 B.C.E. Faience, 1 5/16 x 5/8 in. (3.4 x 1.6 cm). Brooklyn Museum, Gift of Evangeline Wilbour Blashfield, Theodora Wilbour, and Victor Wilbour honoring the wishes of their mother, Charlotte Beebe Wilbour, as a memorial to their father Charles Edwin Wilbour, 16.580.13. Creative Commons-BY (Photo: Brooklyn Museum, CUR.16.580.13_NegL897_7A_print_bw.jpg)
. Brooklyn Museum photograph, 2013
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Green faience figure of Bes standing, as inlay (?). Lion head, knees bent with hands resting on hips. Back plain and slightly convex.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.