Shrine with an Image of a Bodhisattva
Western influence on art at the Chinese court increased during the cosmopolitan reign of the Emperor Qianlong under the influence of Jesuit missionaries. The form of this lavishly designed Buddhist shrine corresponds to the well-known baldacchino (canopy) in St. Peter’s Basilica, Rome, created in 1624–33 by the Italian artist Gian Lorenzo Bernini. The dragons, however, are typically Chinese and wrap around the four columns in emulation of the dragon-motif carpets that often covered pillars in Chinese and Tibetan Buddhist temples.
Shrine: Cloisonné enamel on copper alloy; Image: Copper with semiprecious stones
25 1/4 x 14 3/8 x 10 5/8 in. (64.1 x 36.5 x 27 cm)
Bodhisattva: 8 1/4 x 4 3/4 x 3 7/8 in. (21 x 12.1 x 9.8 cm) (show scale)
This item is not on view
Gift of Samuel P. Avery, Jr.
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Shrine with an Image of a Bodhisattva, 1736-1795. Shrine: Cloisonné enamel on copper alloy; Image: Copper with semiprecious stones, 25 1/4 x 14 3/8 x 10 5/8 in. (64.1 x 36.5 x 27 cm). Brooklyn Museum, Gift of Samuel P. Avery, Jr., 09.520a-b. Creative Commons-BY (Photo: Brooklyn Museum, 09.520a-b_threequarter_SL3.jpg)
threequarter, 09.520a-b_threequarter_SL3.jpg. Brooklyn Museum photograph
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Large shrine, containing an image. The shrine rests on a rectangular pedestal with a spreading base, four low feet, a scalloped lower edge, sides that curve inwards to a narrow central band and a railing on top. Rising from the corners of the pedestal are four columns entwined with dragons amongst clouds, in relief, supporting an elaborate domed roof surmounted by a large knob. The edges of the roof spread upwards and outwards, are shaped to resemble ju li heads and have bells suspended from the scrolls which protrude from the corners. The image, a Lamaist Bodhisattva, sits cross-legged on a pedestal, and wears the usual skirt (dhota), sash, jeweled chains, arm bands, and crown. Behind is an arch decorated with a flame pattern in relief. Gilded bronze. The image is decorated with colored glass to simulate jewelry, and the shrine is decorated with cloisonné and champlevé enamels. On the pedestal are false gadroons and floral scrolls in low relief, with the ground filled with colored champlevé enamels, chiefly a dull turquoise. The floor of the pedestal is now similarly enameled a similar turquoise blue. The columns are similarly enameled. The tip of the knob, the ju li head shaped plaques on the roof, and the upward spreading eaves are decorated with lotus scrolls in red, white, pink, yellow, two shades of green and cobalt blue cloisonné enamels on the turquoise ground. The canopy like structure of the shrine is probably Indian in origin and the form of the shrine as a whole corresponds to a well known baldacchino in St. Peters, Rome, created in 1624-1633 by the Italian artist Gian Lorenzo Bernini (1598-1680). The imperial dragons around the four ornate columns, however, are typically Chinese. Between the base of the knob are double rows of false galdroons, all in relief.
The seated figure is likely the Bodhisattva Amitayus, who is shown crowned and seated with his hands in dhyana mudra (palms up, the posture of meditation).
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