Signet Ring Inscribed for Akhenaten

ca. 1353–1336 B.C.E.

Brooklyn Museum photograph

Object Label

Egyptian Metalwork

Egyptian artisans used both local and imported metals to make jewelry, vessels, tools, and other objects like the ones displayed here.


Gold existed as a pure metal in the desert east of Luxor and farther south in Nubia, whose name means “Gold Land,” but silver had to be imported from Crete, Cyprus, and Mesopotamia. Most electrum (a natural alloy of gold and silver) was brought from Nubia, but some was made in Egypt. Copper was the most commonly used metal in ancient Egypt.

Beginning in the late Middle Kingdom or shortly thereafter, workers learned how to produce bronze, an alloy of copper and tin, from metalsmiths in western Asia. By the New Kingdom, metalworkers had mastered techniques that are still practiced today, including hammering, soldering, burnishing, engraving, repoussé (creating a raised image on a metal sheet), sheetworking, and casting. In sheetworking—used to make bowls, basins, and some thin jewelry— rough metal slabs called ingots were hammered into thin sheets and shaped into the desired form. Individual sheets could be joined with rivets or by soldering. Workers made tools, statues, and thick jewelry such as rings by pouring molten metal into molds. While many Middle Kingdom objects were solid cast, by the end of the period artisans had learned the lost-wax method of casting, producing hollow metal pieces around a clay core.

Caption

Signet Ring Inscribed for Akhenaten, ca. 1353–1336 B.C.E.. Electrum, Diam. of inner part of ring 11/16 x Length of bezel 11/16 in. (1.7 x 1.7 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 33.681. (Photo: Brooklyn Museum)

Title

Signet Ring Inscribed for Akhenaten

Date

ca. 1353–1336 B.C.E.

Dynasty

Dynasty 18

Period

New Kingdom, Amarna Period

Geography

Place made: Egypt

Medium

Electrum

Classification

Jewelry

Dimensions

Diam. of inner part of ring 11/16 x Length of bezel 11/16 in. (1.7 x 1.7 cm)

Inscriptions

A rekhit-bird praising an epithet. The rekhit bird represents humankind. “Lord of the Rekhit (humankind) praising: the lord of the ones who live by/on Maat (truth).” Could also be translated “all of humankind praising the lord of the ones who live in truth.”

Credit Line

Charles Edwin Wilbour Fund

Accession Number

33.681

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