Statuette of Striding Man
Egyptian, Classical, Ancient Near Eastern Art
On View: Egyptian Orientation Gallery, 3rd Floor
Egyptian artisans used both local and imported metals to make jewelry, vessels, tools, and other objects like the ones displayed here.
Gold existed as a pure metal in the desert east of Luxor and farther south in Nubia, whose name means “Gold Land,” but silver had to be imported from Crete, Cyprus, and Mesopotamia. Most electrum (a natural alloy of gold and silver) was brought from Nubia, but some was made in Egypt. Copper was the most commonly used metal in ancient Egypt.
Beginning in the late Middle Kingdom or shortly thereafter, workers learned how to produce bronze, an alloy of copper and tin, from metalsmiths in western Asia. By the New Kingdom, metalworkers had mastered techniques that are still practiced today, including hammering, soldering, burnishing, engraving, repoussé (creating a raised image on a metal sheet), sheetworking, and casting. In sheetworking—used to make bowls, basins, and some thin jewelry— rough metal slabs called ingots were hammered into thin sheets and shaped into the desired form. Individual sheets could be joined with rivets or by soldering. Workers made tools, statues, and thick jewelry such as rings by pouring molten metal into molds. While many Middle Kingdom objects were solid cast, by the end of the period artisans had learned the lost-wax method of casting, producing hollow metal pieces around a clay core.
ca. 1938-1759 B.C.E.
Charles Edwin Wilbour Fund
Archaeological provenance not yet documented; by 1934, acquired by an unidentified Egyptian dealer; 1934, purchased in Egypt from an unidentified dealer by Jean Capart for the Brooklyn Museum.
Small bronze figure of a man in the conventional Egyptian pose. The piece is comparatively crude in workmanship but is not lacking in spirit. It betrays all the defects of Middle Kingdom bronzes.
Condition: Slight corrosion under arms and on left hand. Socket on left leg broken.
Statuette of Striding Man, ca. 1938-1759 B.C.E. Copper, 4 5/16 x 1 1/4 in. (11 x 3.2 cm). Brooklyn Museum, Charles Edwin Wilbour Fund, 34.1181. Creative Commons-BY (Photo: Brooklyn Museum, CUR.34.1181_erg456.jpg)
. Brooklyn Museum photograph, 5/20/2009
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