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Object Label

ART OF WRITING
Both of these works, separated by many centuries, use the human body as a platform for expressing and displaying script.

Shabtis are funerary figures intended to do the agricultural work the gods might require of the deceased, represented here holding hoes. The hieroglyphic inscription on this figure is a spell from the Book of the Dead, asking the shabti to do the Nubian king Senkamanisken’s work for him in the afterlife.

Owusu-Ankomah's paintings depict a spiritual world occupied by people and symbols. The male figure in this work is covered by, and moves within, Akan adinkra symbols from the artist's native Ghana, each of which graphically represents a particular concept or proverb. Looking Back Into the Future depicts a nude man with his head turned backward, in a pose associated with the Akan proverbial concept of sankofa ("one must know the past to know the future").

You can see a contemporary version of adinkra cloth among the "touch" textiles around the corner.

Caption

Nubian. Shabty of Senkamanisken, 643–623 B.C.E.. Serpentine, 8 9/16 x 2 11/16 x depth at base 1 15/16 in. (21.7 x 6.9 x 5 cm). Brooklyn Museum, By exchange, 39.5. (Photo: Brooklyn Museum)

Culture

Nubian

Title

Shabty of Senkamanisken

Date

643–623 B.C.E.

Dynasty

Dynasty 26

Period

Napatan Period

Geography

Place excavated: Nuri, Sudan (ancient Nubia)

Medium

Serpentine

Classification

Funerary Object

Dimensions

8 9/16 x 2 11/16 x depth at base 1 15/16 in. (21.7 x 6.9 x 5 cm)

Credit Line

By exchange

Accession Number

39.5

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