Embracing a subject that corresponded to the natural "life" of white alabaster, the Brooklynite Robert Laurent here worked his design onto the stone surface, almost magically implying the continuation of the forms within the rock mass. In keeping with direct-carving ideals, requiring direct contact with the raw, natural material, he then hand-polished the surface to raise a brilliance and translucency from the naturally chalky stone.
13 1/2 × 24 1/2 × 20 in., 200 lb. (34.3 × 62.2 × 50.8 cm) (show scale)
Incised along bottom edge below proper right hand: "LAURENT"
This item is not on view
Caroline H. Polhemus Fund
© Estate of Robert Laurent
The Brooklyn Museum holds a non-exclusive license to reproduce images of this work of art from the rights holder named here.
The Museum does not warrant that the use of this work will not infringe on the rights of third parties. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act.
For further information about copyright, we recommend resources at the United States Library of Congress
, Cornell University
, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums
, and Copyright Watch
For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright
If you have any information regarding this work and rights to it, please contact email@example.com
If you wish to contact the rights holder for this work, please email firstname.lastname@example.org
and we will assist if we can.
Robert Laurent (American, born France, 1890-1970). The Wave, 1926. Alabaster, 13 1/2 × 24 1/2 × 20 in., 200 lb. (34.3 × 62.2 × 50.8 cm). Brooklyn Museum, Caroline H. Polhemus Fund, 28.275. © artist or artist's estate (Photo: Brooklyn Museum, 28.275_side_view1_PS2.jpg)
side, 28.275_side_view1_PS2.jpg. Brooklyn Museum photograph, 2009
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
Ovoid statue carved into figure of reclining, nude female with head facing upward and body bent back and curled over rock; feet and proper right hand peep out between ribbon-like waves; fish swimming in waves at her back; forms stylized and smoothly polished, rock roughly hewn.
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome
any additional information you might have.